mayakovsky's:
the
bedbug
Communism
Futurism
Communism and Futurism Pluses Mayakovsky
Vs. The Collective
Mayakovsky
wrote the Bedbug in 1928 as what now looks like a prelude to his suicide
two years later. His personal sense of hopelessness in his struggle
to reconcile his radical personality and art with an artistically conservative
post revolution regime is felt quite poignantly at the end of the play
when the protagonist Prisypkin says,
“Citizens!
Brothers! …. Why am I alone in the cage? Darlings, friends, come and join
me! Why am I suffering? Citizens!”(p.
302 - 2)
In
The
Bedbug Mayakovsky explores the frustration and confusion expressed
in this statement. The first half of the play takes place in Mayakovsky's
present and satirizes Prisypkin as the sell out who uses his proletarian
status to climb the social ranks. The second part, which takes place 50
years in the future where a cryogenically preserved Prisypkin awakens to
a communist “utopia”, is where Mayakovsky's voice is really heard, for
it is here that he exposes his vulnerabilities by embodying himself
in Prisypkin. In this future all personal vices and idiosyncrasies have
been eliminated and each individual's life belongs to the collective. The
fact that the bourgeois Prisypkin turns out to be the only individual element
in this future satirizes the potential dehumanization that Mayakovsky seems
to feel is developing under the bolsheviks.
Mayakovsky has essentially created an experiment in context where times
change and Prisypkin is the fixed variable. In the past we despise Prisypkin's
vices but in the future we value them because they seem to be the only
remnant of human spirit left in this new world order. In a way it is as
if Mayakovsky is saying “I would rather be what I most despise than be
made into the kind of automaton.” Despite this sentiment, however, that
Mayakovsky would never consciously become the kind of sell out bourgeoisie
that Prisypkin represents in the first half of the play. So where
does this leave us in terms of Mayakovsky's ideology? Where is he in terms
of communism at this point? Technology certainly plays a role in the dehumanization
portrayed in the future, so where is he in terms of futurism in this play?
Finally, what is the internal result of this struggle between the poet-playwright's
personal objectives and the Bolshevik's greater political objectives?
Let's take a look....
....through
the eyes of The Bedbug....
i